Quanta Live is the name of the international release. It is connected in name and content to his 1997 studio-recorded album Quanta, which included a variety of tracks from different points in his career. Quanta gente veio ver: Ao Vivo was recorded at the Teatro João Caetano in Rio de Janeiro, Brazil during his 1997 world tour. The album's tracks span a number of musical styles, including tropicalia, a genre with which Gil is closely associated, as well as samba, funk, bossa nova, reggae, jazz, salsa, and pop.

At the 41st Annual Grammy Awards, it won the award for Best World Album. Quanta gente veio ver: Ao Vivo (English: How many people came to see: Live), known internationally as Quanta Live, is a Grammy-winning 1998 album by Brazilian musician Gilberto Gil recorded live with a seven-piece band at the Teatro João Caetano in Rio de Janeiro during his 1997 world tour.

In all, an outstanding addition to your world music shelf.Tropicalia, samba, funk, bossa nova, reggae, jazz, salsa, pop He doesn't need to do this, but it makes sense because Marley fits right into Gil's crusading, humanistic world view.

Yet Gil and his band could also suddenly break into completely comfortable renditions of two Bob Marley songs ('Is This Love,' 'Stir It Up') in full reggae regalia. His tricky syncopated vocals and scatting must have been an inspiration for Al Jarreau, and his supple feeling for Brazilian rhythms, energy and quickness can be felt on this recording even without the visual element. The CD reveals Gil as a truly captivating performer, still in possession of a quicksilver voice with a beautiful falsetto, a staccato guitar style that makes his electric model sound like an acoustic, and strikingly original, even quirky tunes (including one, though sung in Portuguese, which is obviously about the Internet!). Quanta Live was recorded in Rio not long before his appearance at the Hollywood Bowl - and unlike the latter concert, which was strongly rooted in the samba, this CD more fully reflects Gil's role as a pioneer of Brazil's cosmopolitan 'tropicalismo' music movement. Gilberto Gil's world tour in 1997 was a startling revelation for North American audiences who had not heard from him live in several years, if at all.

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